Nassos daphnis biography of michael w
The exhibition included both oil paintings and watercolors.
It was his second show at the gallery and in his catalog essay, art historian Gordon B. Washburn found new promise in the works: "There is hardly one of them, nevertheless, which in its far distances or on its horizon, has failed to keep a promise of renewed life and ultimate happiness. Once, in his youthful years, Daphnis painted a vision of heaven and hell; but in those days his purgatory was as charming as his paradise, the devils a toy army.
A new definition of good and evil has now been found, and in returning to a world of greater hope and faith he seizes the beauty of the natural world - especially its plant-life whose forms he has always deeply loved - with a thicker complex of emotions. His self-taught art, once picked out with one finger, its tunes like those heard on a sweet but lonely hillside from a shepherd's flute, are not polyphonic.
Planning, close organization, and definition enter the pictures; and with those controls comes an abstraction which is increasing.
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Daphnis was involved with biomorphic imagery. Part of his inspiration came from a botanical hobby: hybridizing tree peonies, an avocation he pursues to this day. At Kouros, a group of rarely seen canvases and watercolors from deals with organic, floral and undersea forms, in poetic compositions of luminous color. Despite their amorphous look, they have a well-ordered structure that doesn't seem too far removed from the artist's later concerns.
Nassos daphnis biography of michael
In one of the strongest - called, in fact, Hybridization - plant leaves and stems, bathed in a shimmering light, are beautifully locked in a harmonious balance of shapes and hues. In the s, Daphnis traveled back to Greece with the assistance of the G. While there he began to see the stark, clear light change his perception of the buildings and forms around him.
Structures were simplified and became geometric planes of pure color. Following this trop, Daphnis developed his color-plane theory and focused on geometric abstraction with a restricted color palette of only black, white and primary colors.
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This became his signature style and these works are often characterized as being painted in the Hard-edge style of geometric abstraction. His style is frequently compared with Piet Mondrian ; however, Daphnis saw Mondrian's approach as a jumping off point. Daphnis was also described as an abstract imagist , a term which arose from a exhibition at the Solomon R.
In the late s, Daphnis' style evolved again as he began to integrate new forms of computer technology into his practice. Expanding on his color palette, he also incorporated a few additional colors. Daphnis' employment of computer-generated graphics and use of the Atari ST to develop his radical digital landscapes can best be understood as a proto New Media attitude.
For nearly forty years Daphnis was represented by the Leo Castelli Gallery.
In , at the age of 16, Daphnis immigrated to the United States, settling in Lynn, Massachusetts, where he initially worked in various manual labor jobs. He began taking evening classes at the Boston Museum of Fine Arts School and the Cooper Union in New York City, where he studied under prominent artists and developed his foundational skills.
During this period, he experimented with various styles and techniques, gradually moving towards abstraction. These influences are evident in his early paintings, which feature organic forms and a playful use of color. This shift marked a significant turning point in his career as he developed a distinctive style characterized by precise geometric shapes, bold colors, and a meticulous attention to spatial relationships.
His works from this period reflect his interest in the interplay between form, color, and space, resulting in compositions that are both dynamic and harmonious.
Nassos daphnis biography of michael jackson
These paintings exemplify his mastery of geometric abstraction and his innovative use of color and form. As a painter Daphnis was considered to have worked in the Hard-edge and Geometric abstraction style looking back towards the opus of Piet Mondrian. He was categorized as an abstract imagist a term which arose from a exhibition in the Solomon R.
For many years his artwork was represented by the Leo Castelli Gallery and in then in his later years by the Anita Shapolsky Gallery. In he met William H. Gratwick of Linwood Gardens, New York, a prominent breeder of tree peonies. He had been drawing and carving since childhood, and getting beaten for it by the village schoolmaster.
Nassos daphnis biography of michael j: Nassos Daphnis (July 23, in Krokeai, Greece – November 23, in Provincetown, Massachusetts, U.S.) was a Greek-born American abstract painter, sculptor and tree peony breeder. Daphnis served in the United States Army from to
In Manhattan he went to work in his uncle's flower shop, and attended night school to learn English. He worked at his drawings during odd hours until a chance meeting in the New York City flower market with another florist's assistant, Michael Lekakis, turned his life around. When Lekakis saw some of Daphnis's drawings, he offered him the use of his studio and a model for a few days each week until Daphnis could find a space for himself.
Eventually, Daphnis bought paints and rented a studio for ten dollars a month.