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This would allow him to study art in Rome with some of the greatest masters of the world, although he did not take up that opportunity until four years later. But in his decades as one of the greatest working artists in France and all of Europe Boucher produced an enormous body of work — his paintings were destined to define an entire age.

Clearly, however, Boucher had an edge. That is, while his scenes were idyllic, they were not always innocent. Many of his paintings are erotic, suggestive and display passionate interactions between men and women, and even women and other women. These assignments paid well, and his ability to capture the humanity and essence of his subjects should be considered second to none.

Boucher's paintings such as The Breakfast , a familial scene, show how he was as a master of the genre scene, where he regularly used his own wife and children as models.

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These intimate family scenes are contrasting to the licentious style seen in his Odalisque portraits. The dark-haired version of the Odalisque portraits prompted claims by the art critic Denis Diderot that Boucher was "prostituting his own wife", and the Blonde Odalisque was a portrait that illustrated the extramarital relationships of the King.

Boucher gained lasting notoriety through such private commissions for wealthy collectors and, after Diderot expressed his disapproval, his reputation came under increasing critical attack during the last years of his career. Along with his painting, Boucher also designed theater costumes and sets, and the ardent intrigues of the comic operas of Charles Simon Favart closely paralleled his own style of painting.

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Tapestry design was also a concern. The death of Oudry in put an end to its contribution to Beauvais but his collaboration with the Gobelins lasted until , when he stepped down from his position as an inspector. Boucher was a very prolific and varied draftsman. His drawings served not only as preparatory studies for his paintings and as designs for printmakers but also as finished works of art for which there was a great demand by collectors.

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Boucher followed standard studio practices of the time, by first working out the overall composition of his major canvases, and then making chalk studies for individual figures, or groups of figures. He also relied on oil and gouache sketches in the preparation of major commissions. Gradually he made more and more sketches as independent works for the market.

Recent scholarship suggests, however, that it was made at least 10 years later as an autonomous work.

In the last decade of his career the artist began to favor brown chalk, a fabricated medium. Boucher was also a gifted engraver and etcher. Boucher etched some original copperplates. He made many etchings after Watteau. He thus helped propagate a taste for reproductions of drawings.

When his own drawings began to sell, of them were etched in stipple substitutes by Gilles Demarteau. These were printed in red ink so they resembled red chalk drawings which could be framed as little pictures. They could then be hung in the small blank spaces of the elaborately decorated paneling of luxury dwellings.

Boucher's most original inventions were decorative, and he contributed to the fashionable style of chinoiserie , after having etched 12 'Figures Chinoises' Chinese figures by Watteau.

Biography channel kurt cobain: The dominant artistic taste of the 18th Century can represented by the work of just one artist, that of the French painter François Boucher. While this might be an overstatement, Boucher was the undisputed master of the Rococo style.

Adapted from a following source: Freitag, Wolfgang M. New York, London: Garland. ISBN LCCN Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Contact About Privacy. Billy Childish. Sophie Gengembre Anderson. Violetta Livshen. Aga Mirek.

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Get Your Degree! Powered by Campus Explorer. Custom Search. Site last updated 28 October, Boucher's humble beginnings did not allow much in the way of a formal education, but he did work under his father. He then studied composition briefly under le Moyne, but was forced to leave off studying due to financial constraints.